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The titles of Bennetts artworks reflect the artists awareness of the power of words/language to suggest meaning. The impact of colonisation on Aboriginal people and culture from this point was devastating. The grotesque also interested Bennett as a means of disrupting conventional ways of seeing and understanding. Australian politics is fraught yet the Australian public is disengaged. ART215: Topic 10 - Urban Aboriginal Art - Pinterest If God cannot be contained, can humanity be contained by stereotypes and labels? Scan these into the computer using a photographic software package like Photoshop. His bold and humane art challenged racial stereotypes and provoked critical reflection on Australia's official history and national identity. Ian McLean 2. Who was Paul Keating? Linear perspective is a system for organising visual information. John Citizen is an artist for our times: he reflects back to us citizens the white Australia of the postKeating era. Do you agree? For Mondrian the grid became the essence of all forms. $927,000 Last Sold Price. Find examples of the work of these artists. Gordon Bennett | Number Nine (2008) | Artsy Motorsportjahr 1904 - Wikipedia 1 Bill Wrights interview with Gordon Bennett in Gellatly K with contributions by Clemens, Justin; Devery, Jane; and Wright, Bill Gordon Bennett National Gallery of Victoria exhibition catalogue, Melbourne, 2007, During his childhood in the 1950s and 60s, Bennett lived with his family in Victoria and Queensland. Possession Island (Appendix 1) 1991 and Notes to Basquiat (Jackson Pollock and his Other) (Appendix 2) 2001 will be discussed in relation to Henri's statement. Even when the starting point for a work is an emotive one, I believe I conceptually examine the ideas behind the emotion and extrapolate from there Gordon Bennett1. 75 Artists ideas | artist, art, straight photography Immersed within a White European culture, he was unaware of his Aboriginality until his early teens. a moment of possession; the place where he came ashore and allegedly claimed . He used his self as the vehicle to do so. This central motif governs the composition which, similar to Calverts original etching upon which the painting is based, is largely reduced to a schema of black and white forms. Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. Literally opening up this black skin of paint are the words cut me. This led him to adopt an artistic alter ego, John Citizen. . Gordon Bennett Number Nine, 2008 Acrylic paint on linen 71 9/10 119 7/10 in | 182.5 304 cm Museum of Contemporary Art Australia (MCA) The Rocks Get notifications for similar works Create Alert Want to sell a work by this artist? Felicity Allen, Gordon Bennett interviewed by Felicity Allen in the. Like words, visual images, forms and elements are powerful signifiers of meaning. While the conceptual framework underpinning Bennetts art remained remarkably consistent, his art practice was characterised by some dramatic stylistic shifts over twenty years. Bennetts use of the grotesque is evident in Outsider, 1988, which makes reference to two paintings by the Dutch artist Vincent van Gogh (1853 1890) Vincents bedroom in Arles 1888, and Starry night 1889. This is a Tate Images licensable image titled 'Possession Island (Abstraction)' by Tate Images. Queensland-born Gordon Bennett was an artist who loved collapsing 'high' and 'low' art boundaries. exploration: Captain James Cook, Australia landing 1770, Calvert, Samuel, etching, Captain Cook Taking Possession of the Australian Continent on Behalf of the British Crown, AD 1770. Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007. Possession Island displays a photocopy of Samuel Calvert's engraving, Captain Cook . Gordon Bennett Australia 1955-2014. Bennett layered these two distinctly different artists with his own work work previously appropriated from yet another context. European history has stipulated that being Australian has required anyone that does not fit into such a Eurocentric category is different, other and therefore unworthy. The viewer is made to step back and allow the eyes to form the images. Compare and contrast Possession Island with one or more of the following artworks: What does this comparison reveal about the relationship between visual images, culture and history? Mondrian aspired to create a form of pure abstract art based on the grid and a controlled use of art elements, including primary colours. Queensland-born artist Gordon Bennett (1955-2014) was deeply engaged with questions of identity, perception and the construction of history, and made a profound and ongoing contribution to contemporary art in Australia and internationally. These images are fused and overlapped in a dynamic composition underpinned by Mondrian-style grids. Bennett compels the viewer to engage with and question the values and ideas of the artists he appropriated. This event was re-enacted in many pageants and dramatisations during Australias Bicentenary in 1988, as a way of celebrating 200 years of Australian history. For Bennett, however, success triggered concerns related to the links drawn between his identity as an Indigenous person, his subject matter and the reception of his work. Oil and acrylic on canvas, 182 x 182 cm. 2 February 2021. . Who was Gordon Bennett? In a real sense I was still living in the suburbs, and in a world where there were very real demands to be one thing or the other. Gordon Bennett Biography, Age, Height, Wife, Net Worth, Family In her lifetime, Trugannini witnessed the systematic and often violent destruction of her culture and people. Although there are many forms of Aboriginal art, dot painting is widely seen as synonymous with Aboriginal art since the late 1970s, when the dot painting of the Western Desert attracted unprecedented national and international interest in Aboriginal art. The first panel of Bennetts triptych, Requiem, depicts Trugannini (c. 1812 1876), a Palawa woman from Tasmania. At the heart of all human life is a concept of self. Picassos sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures,ceramics, theater sets, and costume designs. Touch device users, explore by touch or with swipe gestures. Bennett simultaneously obscures and draws attention to the Aboriginal man standing next to Cook, overlaying an abstract geometric shape which recalls constructivist art and the Aboriginal flag. These joint acquisitions by MCA and Tate include two large video installations, one by Susan Norrie (Transit 2011) and another by Vernon Ah Kee (tall man 2010), two paintings by Gordon Bennett (Possession Island (Abstraction) 1991 and Number Nine 2008) and an artist book by Judy Watson consisting of sixteen etchings with chine coll (a . LibGuides: Studio Arts Year 11 (Units 1&2): Art Appropriation L120238 Gordon Bennett. Unfinished Business: The Art of Gordon Bennett - academia.edu Brushing aside the tempting opportunity to ridicule many frames of reference in that sentence (I mean, don't get me . Gordon Bennett This world is not my home 1988 Not Currently on Display Artwork Artist As a teenager, Gordon Bennett became aware of his Indigenous heritage, and art became the tool through which he could examine his identity as an Australian of both Aboriginal and Anglo-Celtic descent. Gordon Bennett, Possession Island, 1991, oil and synthetic polymer paint on canvas, Museum of Sydney, Sydney Living Museums; Daniel Boyd, We Call Them . In Malevichs work the black square is seen as having a strong and even spiritual presence. Would you include work by Gordon Bennett in a text book on Australian history. Preston envisioned the creation of an Australian aesthetic. It was no accident that Bennett used Pollocks Blue Poles: Number 11. The juxtaposition and sequencing of words and images in Untitled is unsettling. For example, Aboriginal deaths in custody was recognised as a significant issue. The grid, with its characteristic ordered mathematical structure, appears in a range of Bennetts artworks in a variety of forms. Neither had I thought to question the representation of Aborigines as the quintessential primitive Other against which the civilized collective Self of my peers was measured. Gordon Bennett is an Australian artist of Aboriginal descent. Acutely aware of the frame, I graduated as a straight honours student of fine art to find myself positioned and contained by the language of primitivism as an Urban Aboriginal Artist. How might John Citizen be seen as reflection of the post Keating era? The artist has effectively communicated his beliefs on the suppression of Aboriginal culture by combining confronting imagery with the concepts of Vincent Van Gogh, Francisco Goya and Classical art. These act as disturbances. Discuss in relation to selected artworks by Bennett that you believe reveal questions and complexities, rather than answers and simplicities. marking the first car ever to touch the island's soil. He used strategies such as deconstruction and appropriation to present audiences with new ways of viewing and understanding the images and narratives that have shaped the nations history and culture. Against the background of the illusionistic representation of the landscape they capture our attention, alerting us to the fact that there are other ways of representing and understanding the landscape not just the European perspectives that have dominated our cultural history. Bennetts art practice was interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. His "history painting," as he called his large-scale canvases at the time, provoked a radical revision of Australia's past, fueling the meteoric rise of a career that left an indelible mark on Australian art . However Bennetts illusionistic representation of the rugged terrain and billowing clouds reflect a style of painting traditionally associated with European Romantic art. Perhaps a re-writing of history? What values or ideas characterise the postKeating era in Australia? My intention is in keeping with the integrity of my work in which appropriation and citation, sampling and remixing are an integral part, as are attempts to communicate a basic underlying humanity to the perception of blackness in its philosophical and historical production within western cultural contexts. The performance that forms an integral part of this work shows a tall indistinct figure (Bennett) prowling around a stage- like setting illuminated by a rapidly changing pattern of images, text, light and colour. Nov 26, 2012 - The paintings of Gordon Bennett are loaded with graphic detail. Bennett achieved critical success early in his career. Australia for His Majesty King George III. She was once thought to be the last surviving Tasmanian Aborigine. Possession Island (Abstraction), Gordon Bennett, 1991 | Tate Images Such images have defined the nations settlement history for many generations of Australians. What typically Australian qualities are associated with these characters? As the foundation of a system of representation, perspective produces an illusion of depth on an essentially flat two dimensional surface by the use of invisible lines that converge to a vanishing point. 5. Nov 26, 2012 - The paintings of Gordon Bennett are loaded with graphic detail. Appropriation art is an established postmodernist strategy defined as: The direct duplication, copying or incorporation of an image (painting, photography, etc) by another artist who represents it in a different context, thus completely altering its meaning and questioning notions of originality and authenticity.1. It recalls the way stereotypes, labels, identities and systems of thought are fixed. Dots have been an important element in many of Bennetts paintings as a powerful signifier of Aboriginal art, for example Triptych: Requiem, Of grandeur, Empire. Their confidence was rewarded when Possession Island 1991, a triptych in which each panel measured 162 x 130 cm, sold for $384,000. Gordon Bennett! | English Slang Phrases - Peevish Finally, Ive never been one to make art about art before. * *Collection: Museum of Sydney on the site of the first Government House, Historic Houses Trust of New South Wales. Gordon Bennett 1. But the oppressive and restrictive laws that governed the lives of Aboriginal people in Australia until the late 1960s continued to impose on her life. [Bennett] seeks to expose the shadows of official history, to track its doubles and contradictions, not in order to repudiate the European vision but to map a postcolonial future Ian McLean 2. In Possession Island, 1991, Bennett meticulously photocopies and enlarges Calverts image so that it can be projected, cropped and copied onto the canvas. Watch. 3 Beds. On Tuesday, the Tate unveiled Gordon Bennett's Possession Island, a provocative 1991 work that takes a 19th century etching of Cook's claiming Australia for Britain, and plants a proud abstract indigenous flag on it. Bennetts interest in adopting a strategy of intervention and disturbance in the field of representation manifests in many different ways in his art. There are many visual signs that recur throughout Bennetts artworks, including: Each of these signs brings significant meaning to Bennetts work and plays an important role in his investigation of issues and ideas related to identity, understanding and perception. This purchase was indicative of a massive legislative reform program that had not been seen in Australian society for decades. The emphasis on making art about art which was the focus of his non-representational abstract paintings, contrasts clearly with the focus on social critique that was integral to Bennetts earlier work, and was intended also to make people aware that I am an artist first and not a professional Aborigine.2 In this respect, Bennetts non representational abstract works, despite their overt emphasis on visual concerns, may be seen as reflecting his engagement with questions of identity, knowledge and perception. Lists of words draw the viewer into a game of word association. Explore. 'One of the most important Australian artists of the late 20th century Bennetts earliest works, including The coming of the light, 1987, reflect a raw and expressive style. In Untitled, 1989 Bennett works with a selection of images associated with the familiar story of the discovery and settlement of Australia. In 2003, Bennett embarked on a series of non-representational abstract paintings, marking a dramatic shift in his art practice, formally and conceptually. He is not disturbed by slashes of paint, but painted carefully and outlined by the precise grid behind him. Gordon Bennett uses self- portraits to question stereotypes and labelling. On each corner of the grid are the letters A B C D . They became a potent symbol of the celebrations. The background colours and features of the landscape in each panel of Requiem, Of grandeur, Empire suggest a vast Australian desert . The coming of the light also explores ideas, issues and questions related to the Enlightenment values central to colonialism. From a distance the figure resembles a sculpture of a heroic Classical figure. The purchase of this artwork by the Whitlam Labor Government (19731975) was fraught with controversy. Nearby homes similar to 2719 NE 21st Ter have recently sold between $824K to $1M at an average of $565 per square foot. cat. Bennetts final year at art college in 1988 coincided with the Bicentenary of European settlement of Australia. Learn How rich is He in this year and how He spends money? Self portrait (But I always wanted to be one of the good guys), 1990 questions how stereotypes create a sense of identity. 35, 36. Here he exposes the truth of colonial occupation it was a bloody conquest. The timeline could be presented in hardcopy for display in the classroom, or as an ICT project incorporating images and audio. Much of Bennetts work has been concerned with an interrogation of Australias colonial past and postcolonial present, including issues associated with the dominant role that white, western culture has played in constructing the social and cultural landscape of the nation. Born in 1955 in Monto, Queensland, Gordon Bennett lived and worked in Brisbane before his unexpected death in 2014. However, in each image the grid effectively highlights the controlled order and structure of knowledge systems and learning in Western culture, and how these frame and influence perception and understanding of self, history and culture. The mirror, a recurring symbol within his work, is not a two- dimensional illusion but a literal construct. Bennett purposefully constructed these layers to blur fixed ideas and raise questions about the way identity is constructed. Bennett handed over command of his division and left the island. scale, format), Ian McLean Gordon Bennetts existentialism in Ian McLean & Gordon Bennett, The art of Gordon Bennett, Craftsman House, Roseville East, 1996, p. 69, Ian McLean Gordon Bennetts existentialism, p. 71. London's Tate Modern takes possession of iconic Australian art